Born in Orange, California, author Jason Cordova has written books ranging from the fantastical realms of fantasy to the militaristic side of science fiction. His latest should be out soon. Really. You should probably buy it. Check Amazon . Demand it at your local store. Pay for his kitten kibble.
Posted in Book Review on August 11, 2014
Welcome back our irregular reviewer Chris Smith as he tackles “To Sail A Darkling Sea” by John Ringo.
Well, here we are. Yeah, it’s really late, since the book was released months and months ago (Februrary-ish) but I finally cleared my extremely busy schedule to write the review. Work, work, work, that’s me.
(Dramatic pause, sheepish look)
Ok, I forgot that I told Jason I’d do it.
This is the second book in the ‘Black Tide’ series, John Ringo’s take on a zombie apocalypse. For those that haven’t read the first one, stop reading now and go read it. Really, Under A Graveyard Sky is a lot of fun, and you need the background to fully get what’s happening in ‘Sail.’
(Hey, Jason, this would be a good time to link to the first review, maybe with one of those cool embedded link things that makes this parenthetical the actual link.) (Ed. note: Yeah, yeah… I got this.)
‘Sail’ takes up a totally different aspect of the whole zombie genre, with our characters spending a lot of time on introspection and really getting to know the infected. What is this person’s motivation? How can we look at the human condition in the same way after the majority of humanity has been reduced to their base wants and desires? Are you really a good person if you don’t take the time to get to know the infected person in front of you before you slam a kukri into their eyeball? Can’t we just use the power of love and inclusiveness to conquer all?
Ok, that was tough to get through with a straight face. C’mon folks, it’s Ringo. The only good zombie is a dead zombie.
‘Sail’ picks up very close to the end of ‘Sky,’ with some overlap. The opening scene shows the beginning of the breakout aboard the Iwo Jima, and progresses from there to the Smith’s clearing the ship.
As the story progresses, we get to see the, now larger, Wolf Squadron in action, as well as the flotilla coming together as a unit. This is important, since it’s a four book series.
Don’t worry, there’s still prime Faith moments, as well as interaction between she and Sophia that anyone with two kids will recognize. (I have taken to calling my two daughters Faith and Sophia when they pester each other, and have read some of the more relatable passages from the books to them to illustrate my point.)
Here, though, we get to see more character development, as well as the addition of several key supporting roles. Where ‘Sky’ set the stage as to the personalities of the main characters, here they get to grow. Basically, what we see is two young girls becoming members of an active military unit, and Steve dealing with the weight of command. Faith has to learn how to be a junior Marine officer, and the conduct that requires, Sophia deals with the pressures of being a ship’s skipper, and the emotional and physical burdens that brings. Steve juggles the double load of sending his daughters into harm’s way, knowing they are capable of handling it, but also dealing with the consequences of their ‘personality quirks’ for lack of a better term, in a professional military manner.
The supporting characters are excellent, from the sleazy former movie producer Zumwald, to the ‘Old Salts’- Chief Petty Officer Kent Schmidt, US Navy (Ret), and Sergeant Major Raymond Barney of Her Majesty’s Light Horse (Ret). You’re going to love hating Zumwald, and you’re just going to love the two crusty guys. (If you’ve never seen the Yeoman tour guide at the tower of London, go watch him. Here’s a link: http://youtu.be/DeiW_bWZ2Is. He’s all I could think of reading Barney.)
Here’s one of the things that endears the series so far to me. I’m a former Air Force Brat, with no time in service. That puts me in the position of straddling the line between Active Duty and Civilian. There’s some things that I ‘get’ about the military lifestyle and being AD, but there’s a lot I don’t, simply because I never had to quite follow the same rules as the AD. However, the Black Tide series allows us to see that career and what it entails through the eyes of Faith and Sophia, two (sorta) Brats thrown into a full Active Duty situation. They were civvies, now they are Service. Their mistakes and mindset- and more importantly, how they evolve- give us non-service folks an insight into what it means to sign on that line.
Perfect case in point- Faith handles a harassment situation instinctively, and is subsequently corrected by a superior officer, [Marine Capt.] then THE superior officer, Steve. Steve is required to handle the situation as both a commander and father of a teenage girl. Seeing him wear both hats, and still react accordingly is eye-opening for a civilian. (Granted, this is an idealized version of what happens, however, it is a great example of how it SHOULD be done.) Later on, Steve confronts Faith’s superior. How he is written, as both a Commander and father, is handled adeptly.
‘To Sail’ is less world building, but more character and squadron development heavy. This is not a bad thing. There are plenty of great, funny, and hair-raising action sequences, but the infected are not the core focus of the book. This is not a bad thing. Like UAGS, the survivors are just that-survivors. No hand wringing for hours about a course of action that doesn’t offend the masses, just the desire and know-how to make decisions quickly, effectively, and lethally. We are allowed to see how this group begins to come together as an effective unit, and honestly, this is where we see the groundwork for its success in the future. There is hope for the future, simply because the right people are trying to bring it around. All in all, it sets the pace for the next book, bringing Wolf Squadron together as a functional unit, one that can keep the flame burning in the worst darkness human kind has ever experienced.
An excellent addition to the series, a fast read, and fun.
–Reviewed by Chris
Posted in Book Review on July 21, 2014
Typically I don’t review two books on the same day by two separate authors, primarily because the voices are too dissimilar and the subject matter at hand varies drastically, but today I decided to make an exception after reading both The Chaplain’s War by Brad Torgerson and City Beyond Time by John C. Wright. Both are extraordinary works, bordering on instant classic status, and have compelling voices, arguments, and stories abounding within.
First up is Wright’s City Beyond Time: Tales of the Fall of Metachronopolis, a collection of stories which begins with the story of a private investigator turned Time Warden. Jake Fontino is a down on his luck private investigator who, through the course of his investigation, is offered the position of becoming a Time Warden — while being recruited by their arch nemesis, Anachronists, who believe that all time travel (except for sight seeing) is immoral. A visceral tale with a deftly-woven plot, City Beyond Time stamps the “Writer to Watch” label on John C. Wright.
The best part — the absolutely best part — of this first novella is the fact that it is written out of order, and yet it works. I have no idea how the author managed to pull it off, but somewhere along the line the disjointed story of a time traveler works better when it is told out of order. I tried reading it both way– once in numerical order, and once as it was presented by the author. In numerical order, the story is a quaint piece on time travel and a man with a good enough moral compass to question both the ethical realities of time travel and the strength to do what was needed. In the order presented by the author, however, it’s an amazing tale of discovery, loyalty, inner strength and how a man must face the consequences of the decision he makes. A splendid start, in other words.
The rest of the stories follow the typical short story collection format, though the storytelling level never falls off. The final story of the collection, The Plural of Helen of Troy, is another small masterpiece in the making, with Jake Fontino fighting against time, paradoxes, and destiny all as Metachronopolis begins its fall. A masterful collection of stories, one that I am absolutely thrilled to have read. I should note, however, that while I talked about Jake Fontino the most, the character Owen Penthane, from the short story within titled Choosers of the Slain, is quite possibly the best written character in the entire collection.
Overall, this is a solid collection of works, and much like Frank Miller’s Sin City, it’s a story that you will not be able to put down. A definite A+, must buy book.
Next up is Torgerson’s The Chaplain’s War, which is the story of the reluctant Chaplain’s Assistant as he struggles through war, peace, uncertainty, and questions of his own faith as humanity fights against an implacable enemy. Received as an electronic Advance Reader Copy back in May, I gobbled this one up in one sitting, and Torgerson joined my list of “Writers to Watch.”
Harrison Barlow is a trapped POW on a planet with other humans who survived a disastrous assault upon the planet by an alien race who seem to resemble mantis cyborgs. Humans, because of how we are, call them Mantis. As Barlow is tending to his flock — he continues to profess a lack of certainty involving any particular deity or religion, which endears him to his fellow prisoners of war — in his handmade chapel (while keeping his promise to the Chaplain, who died trying to protect the others), he is visited by a Mantis who calls himself Professor. He is both a researcher and a teacher, and he is very curious to learn about humanity’s faith in religion. Barlow, not sure what he can offer the Professor, tries to teach the teacher that there can be more to humanity than at first glance. Standing against the Chaplain’s Assistant is the very nature of humanity itself, as well as preconceived biases against humanity on the part of the Mantis.
Part of the allure in this story is that, unlike most SF novels with war against the aliens in it, this one is more about the search for peace, not victory. It’s a fine distinction to be had, for if victory is achieved, a certain peace could be had. However, the strategic importance in which the author lays on the “true peace” methodology over “true victory” profoundly impacts the story, and Barlow as a character. Take note: while this has action and military in it, this is less of a military science fiction novel and more of a classic Heinlein novel (Stranger In A Strange Land comes to mind). The author’s work is tremendous here, and shows the skill and prose of a writer far more mature in his years than Torgerson is.
This is also the first time I instantly messaged a writer after completing their debut novel and thanked them for writing the book. Yes, I’ll admit, I had a fanboy moment.
Another must-buy book here.
City Beyond Time — A+
The Chaplain’s War — A
Posted in Book Review on June 8, 2014
A solid first entry into the world of international spy thrillers, Martin Lessem’s debut novel, A Cloud in the Desert, is the first entrant into the Steven Frisk series and offers twists, turns and international espionage to sate the reader’s thirst.
The book opens up with a clandestine meeting in Washington, D.C., regarding an ongoing mission currently taking place along the contested Afghanistan/Pakistan border. Pakistan appears to be ready to move into Afghanistan, and there are few assets “on the ground” in the region that the CIA can rely on, Fortunately for them, one of their best and brightest, Officer Steven Frisk, is on location. But there are other elements at play as well, including some shady individuals who are letting a live nuke “go into play”, as it were.
Frisk, however, is not alone in his attempts at stopping what could turn into a nuclear event in Afghanistan. His junior agent in the field, Ali Hassan Ashwari, code-named “Desert Fox”, is also a CIA operative and working deep undercover in Afghanistan. Together they must work to stop a deep, dark attack which could plunge the region — and possibly, the entire world — into a nuclear war.
Part of the strengths of this book is the author’s intimate familiarity with the streets of London (flashback scenes) and Foggy Bottom, home to the CIA. He paints the scenes here with detailed strokes, masterfully bringing you to the actual location without taking the reader out of the book. His characterization of Frisk as a more action-oriented Jack Ryan (of Tom Clancy fame) is fairly solid, though parts of him are too good, as it were. Frisk, while struggling to complete his mission, does not seem to have any normal flaws that people have. Overall, though Frisk is believable hero, even if he is somewhat overshadowed (in this reviewer’s opinion), presence-wise, by his junior agent, Ali Hassan Ashwari. There is also a noted hat-tip to David Weber and his Honor Harrington series in the book as well, which caused me to chuckle a bit.
There are some weaknesses in the book as well. Part of it is an inconsistency towards technical details, such as “Her Majesties” instead of “Her Majesty’s” (he meant possessive, and used plural). His imaging of the Middle East is not as rich and refined as his scenes of London and Foggy Bottom were (which is understandable). There was a bit too much “I’m going to slap Frisk upside the head because he doesn’t see this coming from a mile away!” moments throughout (if the reader can pick up on a few subtle hints about things that are going down, then a seasoned CIA FSO should be able to spot it as well).
Reviews like this are difficult, because one can’t give too much into detail without revealing massive plot points. However, I can say that, given time and patience, the Steven Frisk novels can be a worthy contender to carrying on the Jack Ryan spy thriller genre. I’d read it again, and pick it up on Kindle.
Grade: B –
Reviewed by Jason
Posted in Book Review on June 2, 2014
If you were the son of a traitor and sent out into the border regions of your empire to languish and (hopefully to some) die, how much loyalty would you have if you found out that suddenly those who banished you desperately needed your help when the entire universe is on the line?
This question is just among the many confronted by Baron Lucius Giovanni, commander of the War Shrike in Kal Spriggs’ science fiction novel The Fallen Race. The alien Chxor have completely decimated the Roma Nova Empire and, with his back against the wall, Baron Giovanni is struggling to keep the remnants of its citizens — as well as his make-shift fleet — alive. Assuming his political masters back home allow him to even retain command of his ship, that is.
After keeping his ship alive just long enough to help a convoy escape an ambush of Chxor vessels, the War Shrike stumbled onto a barely-alive Ghornath dreadnought. Surprised, Baron Giovanni discovers that the alien captain is the same one who spared his life many years before. He rescues him and a few of his crew and bring them on board the War Shrike. It is then that Baron Giovanni finds out that there is a human world in the system, one that nobody had known was there. A small world, still loyal to the Imperium, called Faraday.
Part of the charm of this novel is the obvious homage to the Honor Harrington novels by David Weber. This book has it all — aliens, telepaths, pirates, staff meetings… all in direct correlation to a Weber novel. Now, don’t get me wrong. This isn’t a straight “filing off the ISBN numbers” book, far from it. The fall of the Roma Nova Empire is something that is fresh and different, and the turning of the main character from ostracized ship commander to military warlord (of sorts) is very reminiscent of a Mad Max in Space vibe (I don’t know why, that was just the feel I had while reading this book). It’s a fun joyride through space.
However, there are some major issues in the first half of the book, enough so that I had a heck of a time just getting through it. There are some minor issues like the changing of the Roma Nova Empire (it goes from Nova Roma to Nova Roman to Roma Nova in about three pages), as well as a very tedious “staff meeting” where the author hits us with an info dump that is oddly placed and ill-timed. There is also mention of the main character’s father being a traitor, but without any context outside of the title “Baron” that the main character has, you really don’t get a feel for just how deep the word really goes (until about midway through the book, when suddenly everything has a much deeper feel to it, and just how poorly the word “traitor” has been used throughout thus far). There is also nothing really setting anything up as the author tries to counter world-building with random action, which unfortunately doesn’t work well initially because there hasn’t been enough time to create any sort of relationship with the main character.
All that said, this is not a bad book, not in any sense. Because while the first half of the book is problematic, the second half of it is simply stellar, and that can be laid at the feet of Kandergain, the psychic pirate captain (yeah, that combination is just as awesome as it sounds). The book, quite frankly, could have been written from her perspective and been an amazing novel. The author handles her much better than he does the main character, and she is a likable, mysterious individual who dominates every single scene that she’s in. It’s almost as if the entire first half was added just to delay her arrival, because once she does, the pacing and action flow smoothly, the dialogue is crisp and fits the characters well, and it changes from being a run-of-the-mill SF novel to being something special.
I’ll give this one 4 stars. I can forgive some of the editing mistakes (as this is an indie novel), and when you have such an amazing character as Kandergain, that can cover and hide a lot of other, smaller mistakes that would normally derail you. Solid story here. I’d definitely buy this one on Kindle.
–Reviewed by Jason
Posted in Interview on May 13, 2014
–note: Shiny Book Review would like to welcome guest author Tom Doyle. Tom is here to talk about his new book, American Craftsman, which came out last week. Please give him a warm welcome.
What’s the Idea with American Craftsmen?
by Tom Doyle
Looking at the cover of my debut novel from Tor, American Craftsmen, you might get the impression that my main idea from the outset was to write a modern-day fantasy of military intrigue. The craftsmen of my title are magician soldiers and psychic spies. Two rival craft soldiers, Captain Dale Morton and Major Michael Endicott, must fight together against a treasonous cabal in the Pentagon’s highest covert ranks.
It’s an active area: though a relatively new subgenre, modern-day military fantasy has (along with military SF) grown increasingly prominent. But what I think sets my story apart from related SF/F works are the other ideas I had before I focused on the military-intrigue storyline, ideas that gave my novel more of a sense of history, both literary and real world.
To my own surprise, one of my initial inspirations for this book was L. Frank Baum. When he began telling children’s stories, he had the notion of discarding the existing European folk tales and building a fantasy that was modern and distinctly American. That’s how we got The Wizard of Oz.
I wasn’t going to write a children’s story, but the thought of confining myself to a U.S. mythos for an adult fantasy was oddly exciting. I looked at American folklore, but I ended up spending more time with the great early American writers of the fantastic such as Poe and Hawthorne.
As Classical myths reveal the deep hopes and fears of the ancient Greeks, our nineteenth-century authors may be part of the country’s subconscious. If this is true, the overall creepiness of early American fiction should be worrisome. The founders of our independent fictional canon aren’t known for stage comedies filled with wordplay or for novels centered on the marriage plot. Nor did they master the simple pragmatic optimism that on the surface seemed to be the national zeitgeist. Rather, in tales filled with occult obsessions and morbid fascinations, they explored the shadowy underside of the New World’s psyche.
I fed the classic stories into my conceptual pot, and I didn’t just throw in the tasty bits from the usual dark suspects. For example, the parlor of the House of Morton has sickly yellow wallpaper in a nod to the early feminist story, “The Yellow Wallpaper,” by Charlotte Perkins Gilman.
As I read or reread American fantastic literature and it stewed away in my mind, I saw the lineages of influence: for example, Poe to Chambers to Lovecraft. This reminded me of a concept I had played with in one of my earliest published stories: American families of magical practitioners stretching back hundreds of years. At first, my book was going to cover a whole secret world of American magic, with old families and new practitioners from a variety of backgrounds. But the reader of my earliest draft section, author Stephanie Dray, saw the military intrigue element and said, “This is great. Do this.” I really owe her a lot for getting me to focus on that plotline, as I wasn’t inclined to write a doorstopper-sized epic.
Once I made that choice, the military elements dovetailed nicely with my family lineages, as readers of Lucian Truscott IV would already know. The magic system emerged organically from the classic stories and from military necessities. My world almost seemed to build itself, and I was ready to populate it with my post-traumatically stressed magician veterans and my dangerously confused psychic spies. I hope you enjoy meeting them.
For more about American Craftsmen and my other stories, please visit www.tomdoylewriter.com or connect with me on the social media platform of your choice.
Posted in Book Review on April 28, 2014
Vengeance From Ashes is the first military science fiction book from author Sam Schall in the Honor and Duty series. It’s a solid piece of storytelling, and a compelling work of fiction that will be enjoyed by any fan of MilSF.
Ashlyn Shaw was a former Marine captain now incarcerated on fabricated charges and shunted off to the deepest, darkest hole they could find: the Tarsus Penal Colony. Condemned to five years of solitary confinement and practically left for dead, Shaw is surprised when she is suddenly transferred out of the penal colony and back planet side. FleetCom (the military) wants her, though she does not know why, and until she does, she will not trust anybody.
As the story progresses, it becomes clear to the former marine that there has a been a change in the government which had locked her up and made her disappear. A former admiral who had supported her even though she had been on trial was elected on the promise of clearing the charges the captain was under, as well as reforming the government as a whole. But while Shaw is being informed of all the happenings in the two years she has been “in the dark”, an attack by unknown perpetrators occurs in the capitol. Shaw, along with members of her former unit, the “Devil Dogs”, must try and protect a senator and repel the mysterious attackers.
Sometimes when you read a story, you seem to find yourself in the middle of something grand. You get to reading, eagerly awaiting the back story to propel the novel (as a whole) forward. The only problem I had with this book is that it seems like this it is the middle section and I missed the beginning. It’s not bad, per se. It just feels like I had missed something very, very important. Once I was able to break through that sensation (about 20 pages in or so) it was smooth sailing from there.
There is plenty of suspense in the novel, and enough background action to lay down the authenticity of the Devil Dogs and what they do. In the end, however, the story is about a Marine captain doing everything in her power to protect those who love her, and those who are loyal to her.
A positive read. A–.
–Reviewed by Jason
Posted in Book Review on April 22, 2014
It’s not very often that I get to compare classic books to their modern brethren (and enjoy them, I guess I should add), so when I received Open Wounds by Brandon Ford, I wasn’t expecting what I got. What I’d been promised was “horror” but what I got instead was something dark, twisted, without any sort of supernatural beings in it and seemed absolutely true.
Let me reiterate: it’s billed as horror, but it could be any teenage girl’s everyday life.
That’s scary. Really, really scary.
Kate Montgomery was your ordinary 14 year old girl when her parents divorced. Her father, who started drinking, became violent one day and hit his wife, Kate’s mother. Soon afterwards, Kate is forced to move cross-country with her mother, away from the only life she has ever known, and into the old haunts and streets of her mother’s childhood neighborhood in Philadelphia.
Jobless and without any sort of training, Kate’s mother is forced to find work at a dive bar. Meanwhile, Kate struggles at school and tries to fit in. But a dark specter looms over the family past as Kate becomes very nervous and uncomfortable around her grandfather, a sullen and quiet man. This all is depressing, true, but this is all nothing compared to the Hell that awaits her when her mother brings home a new boyfriend.
Without giving too much away, I can say that Kate’s mom’s new boyfriend is a very evil man. He drags Kate and her mom down into a dark, hellish pit of despair and hopelessness, one that Kate sees but cannot escape. Her life continues to get worse and worse as every imaginable horror is heaped upon her, crushing her spirit and her psyche. She becomes a “cutter” and begins to leaves angry scars on her legs and thighs.
When I read this, I was instantly reminded of the 1971 classic Go Ask Alice. However, Open Wounds leaves little to the imagination as the reader is assaulted with the pure agony of Kate’s life, her struggle to remain human, and her loss of faith and family. It’s gritty, realistic and terribly frightening… and, quite frankly, perfect. I mean, it’s a horrifying story, but I think that’s what makes it so damned good. I don’t know from what dark, personal hell Brandon Ford dug this from, but he needs to tap into this reservoir more often. This is, by far, the best thing of his I’ve ever read.
The pacing is rock solid, not too fast, and builds steadily towards a satisfying climax. The character of Kate is empathetic, endearing, and achingly sad, and it pains the reader to see her go through all that she has to. The secondary characters are complex and chilling, even Kate’s best friend. The setting (late 70s’-early 80’s Philadelphia) seems to straddle the fence between gritty reality and a product of the author’s mind.
In the end, the story triumphs over all else, and leaves the reader thoroughly satisfied with Kate and her story. This book is a definite must-buy for any fan of the teen genre, or anyone else who likes a chilling, dark novel.
How good is it, one asks? Well, I sat down to read just one chapter before I went to bed, and ended up reading the entire book in just one setting.
Buy it. Read it. See what I’m talking about.
–Review by Jason